14-15 December 2019
Shortly before Christmas, Baltic Analog Lab invites you to our last workshop this year teaching experimental Polaroid photography with Florentijn Boddendijk from Netherlands for all those of you willing to make special Christmas presents.
In two days time we’ll first take a journey along that history of photography through a polaroid lens
A lot of the (experimental) techniques that have been used since the beginning of photography can pretty easily be applied within the Polaroid medium, with the benefit of nearly instant results of your experiments.
Then we’ll go deeper in the world of Sunken Polas, Chemigrams and Emulsion Lifts, all kinds of techniques to manipulate an already made polaroid picture,
Last but not least we’ll finish each day with authors favourite subject the night, the beginning of the Night at sunset, the beautiful brightness of clouds at Moonlit Nights, the Moon itself (if available), the theatricality of lamps transforming streets to stages and how you can make a single flower stand out dramatically against a black background by using flashlights at Night, the surreal effect of combining in a double exposure the lights of Night&Day and of course traveling at Night.
-Basics of shooting on Polaroidoriginals film with Polaroid cameras
-making Polagrams (polaroids without the use of a camera)
-making Polaroid Pinhole pictures.
-using self-made filters/dark-slides
-the quest for the "Cubist Polaroid”
-doing emulsion lifts
-making pictures with a combination of day and nightlight.
Florentijn Boddendijk is an experimental photographer and composer from The Hague on the Westcoast of The Netherlands.
As a composer he works together with Remco de Jong creating Soundtracks for the big TheatreCompanies in Holland, Germany and Belgium and with his band “Elitechnique” he makes NuDisco for Clone records.
As a photographer he is working solely with instant film in the fields of pinhole-/longexposure-/multiexposure-/night- and abstract-photography.
His aim is to make surreal work that exceeds the expectations of the tiny polaroid frames and enters shadowworlds, improbable panoramas and dreamscapes to transform the Instant Medium from “what you see is what you get” realism, to “what you get is what you didn’t see” surrealism by manipulating time, light, the camera or the emulsion but never by photoshopping or computerediting.
As a result he has discovered/developed a lot of techniques to help him getting these pictures, a lot of them are based on making his own filters, dark slides, lenses etc with the aid of lasercutters etc.
Limited amount of participants - 10 people
Participate by sending us an email to: email@example.com
Participation fee: 50 EUR
Workshop is supported by Latvian State Culture Capital Foundation